{"id":6304,"date":"2026-02-01T21:30:49","date_gmt":"2026-02-01T19:30:49","guid":{"rendered":"https:\/\/kilok.art\/?p=6304"},"modified":"2026-02-01T21:33:02","modified_gmt":"2026-02-01T19:33:02","slug":"v-peredchutti-svobody-iranske-kino-na-berlinale-2026","status":"publish","type":"post","link":"https:\/\/kilok.art\/en\/v-peredchutti-svobody-iranske-kino-na-berlinale-2026\/","title":{"rendered":"In Anticipation of Freedom: Iranian Cinema at the Berlinale"},"content":{"rendered":"<p>As a sign of solidarity with the rebelling people of Iran, we are publishing information about the Iranian presence in the Berlinale program.<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Independent Iranian cinema is a frequent guest at the festival. Suffice it to recall My Favourite Cake by Maryam Moghaddam and Behtash Sanaeeha, a lyrical social drama about a woman trying to protect her private space under a totalitarian theocratic regime. Her house with a garden becomes a kind of island of freedom\u2014a place where one can listen to \u201csinful\u201d music, drink homemade wine forbidden by the state, or\u2014an unheard-of crime!\u2014invite a man over for a date. <\/p>\n\n\n\n<p>Particularly striking is the conversation between the aging heroine and a girl she rescues, whom the \u201cmorality police\u201d tried to arrest for wearing her hijab incorrectly. It is a meeting of two women, two generations: the older one who still remembers the relative freedom before the Islamic Revolution, and the younger one, shaped entirely under the Islamic dictatorship, in whom the fire of protest is already smoldering. Today, the peers of this girl are fighting for their freedom in the streets (indeed, youth are the driving force of the protests). In 2024, the film won the Ecumenical Jury Prize and the FIPRESCI Prize at the Berlinale\u2014while in their homeland the filmmakers received suspended sentences for spreading lies to destabilize public opinion, for \u201cproducing vulgar content,\u201d and for screening the film without a license.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-1 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"6306\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02-1024x683.jpg\" alt=\"\u0456\u0440\u0430\u043d\u0441\u044c\u043a\u0435 \u043a\u0456\u043d\u043e\" class=\"wp-image-6306\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02-1024x683.jpg 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02-300x200.jpg 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02-768x512.jpg 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02-18x12.jpg 18w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-02.jpg 1158w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Keyke mahboobe man | My Favourite Cake<br>Land: IRN, FRA, SWE, DEU 2024<br>Regie: Maryam Moghaddam &amp; Behtash Sanaeeha<br>Bildbeschreibung: Lily Farhadpour, Esmail Mehrabi<br>Sektion: Wettbewerb 2024<br>Datei: 202405386_1<br>\u00a9 Hamid Janipour<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"6305\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01-1024x683.jpg\" alt=\"\u0456\u0440\u0430\u043d\u0441\u044c\u043a\u0435 \u043a\u0456\u043d\u043e\" class=\"wp-image-6305\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01-1024x683.jpg 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01-300x200.jpg 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01-768x512.jpg 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01-18x12.jpg 18w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/my-cake-01.jpg 1158w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Keyke mahboobe man | My Favourite Cake<br>Land: IRN, FRA, SWE, DEU 2024<br>Regie: Maryam Moghaddam &amp; Behtash Sanaeeha<br>Bildbeschreibung: Lily Farhadpour, Esmail Mehrabi<br>Sektion: Wettbewerb 2024<br>Datei: 202405386_1<br>\u00a9 Hamid Janipour<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center\">Iranian cinema at the Berlinale 2026&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h2>\n\n\n\n<p class=\" translation-block\">This year\u2019s program features four Iranian films. In the Forum section, audiences will be able to see Cesarean Weekend by Mohammad Shirvani (Iran, 2026). As the festival synopsis states: \u201cAt a villa in northern Iran, lines of division between different generations of one family become visible\u2014between celebration and discord, as well as between different meanings of love. An intense, turbulent, and philosophical depiction of contemporary Iran.\u201d\nThe Forum Expanded section will screen the short documentary Fruits of Despair by Nima Nissaya (Iran, 2026). According to the annotation: \u201cWhile filming a movie about the Israeli\u2013Palestinian conflict, an Iranian director finds himself at the epicenter of war. He is forced to flee Tehran with his family, and his political essay turns into a twelve-day diary that tells a story of survival, exile, and identity.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"957\" height=\"802\" data-id=\"6309\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw01.png\" alt=\"\" class=\"wp-image-6309\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw01.png 957w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw01-300x251.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw01-768x644.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw01-14x12.png 14w\" sizes=\"auto, (max-width: 957px) 100vw, 957px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"967\" height=\"799\" data-id=\"6308\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw02.png\" alt=\"\" class=\"wp-image-6308\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw02.png 967w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw02-300x248.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw02-768x635.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw02-15x12.png 15w\" sizes=\"auto, (max-width: 967px) 100vw, 967px\" \/><\/figure>\n<\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"951\" height=\"802\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw03.png\" alt=\"\" class=\"wp-image-6307\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw03.png 951w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw03-300x253.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw03-768x648.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/cw03-14x12.png 14w\" sizes=\"auto, (max-width: 951px) 100vw, 951px\" \/><\/figure>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;\u0423 \u043f\u0440\u043e\u0433\u0440\u0430\u043c\u0456 \u201c\u041f\u0430\u043d\u043e\u0440\u0430\u043c\u0430\u201d \u2014 \u201c\u0420\u043e\u044f\u201d \u041c\u0430\u0445\u043d\u0430\u0437\u0430 \u041c\u043e\u0445\u0430\u043c\u043c\u0430\u0434\u0456 (\u041d\u0456\u043c\u0435\u0447\u0447\u0438\u043d\u0430 \/ \u0427\u0435\u0445\u0456\u044f \/ \u041b\u044e\u043a\u0441\u0435\u043c\u0431\u0443\u0440\u0433 \/ \u0406\u0440\u0430\u043d, 2026): \u201c\u0420\u043e\u044f, \u0456\u0440\u0430\u043d\u0441\u044c\u043a\u0430 \u0432\u0447\u0438\u0442\u0435\u043b\u044c\u043a\u0430, \u0443\u0432&#8217;\u044f\u0437\u043d\u0435\u043d\u0430 \u0437\u0430 \u0441\u0432\u043e\u0457 \u043f\u043e\u043b\u0456\u0442\u0438\u0447\u043d\u0456 \u043f\u0435\u0440\u0435\u043a\u043e\u043d\u0430\u043d\u043d\u044f, \u0441\u0442\u043e\u0457\u0442\u044c \u043f\u0435\u0440\u0435\u0434 \u0432\u0438\u0431\u043e\u0440\u043e\u043c: \u043f\u0456\u0442\u0438 \u043d\u0430 \u043f\u0440\u0438\u043c\u0443\u0441\u043e\u0432\u0435 \u0437\u0456\u0437\u043d\u0430\u043d\u043d\u044f \u0432 \u043f\u0440\u044f\u043c\u043e\u043c\u0443 \u0435\u0444\u0456\u0440\u0456 \u0430\u0431\u043e \u0437\u0430\u043b\u0438\u0448\u0438\u0442\u0438\u0441\u044f \u0432 \u0442\u044e\u0440\u0435\u043c\u043d\u0456\u0439 \u043a\u0430\u043c\u0435\u0440\u0456 \u0443 \u0442\u0440\u0438 \u043a\u0432\u0430\u0434\u0440\u0430\u0442\u043d\u0456 \u043c\u0435\u0442\u0440\u0438.<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"460\" height=\"802\" data-id=\"6313\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd02.png\" alt=\"\" class=\"wp-image-6313\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd02.png 460w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd02-172x300.png 172w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd02-7x12.png 7w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"775\" data-id=\"6314\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03-1024x775.png\" alt=\"\" class=\"wp-image-6314\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03-1024x775.png 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03-300x227.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03-768x581.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03-16x12.png 16w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd03.png 1056w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"773\" data-id=\"6315\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01-1024x773.png\" alt=\"\" class=\"wp-image-6315\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01-1024x773.png 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01-300x226.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01-768x579.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01-16x12.png 16w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/fd01.png 1059w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;In the Generation 14plus section\u2014a short documentary Memories of a Window, directed by Mehrane Salmian and Amin Pakparvar (USA, 2026): \u201cAfter the brutal suppression of protests in Iran, civilians begin documenting the unrest from behind their windows. When a woman is shot dead during filming, a student filmmaker writes her a letter asking: can a revolution be born behind windows?\u201d<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"801\" data-id=\"6310\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw01.png\" alt=\"\" class=\"wp-image-6310\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw01.png 960w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw01-300x250.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw01-768x641.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw01-14x12.png 14w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"783\" data-id=\"6311\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02-1024x783.png\" alt=\"\" class=\"wp-image-6311\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02-1024x783.png 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02-300x229.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02-768x587.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02-16x12.png 16w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw02.png 1045w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"771\" data-id=\"6312\" src=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03-1024x771.png\" alt=\"\" class=\"wp-image-6312\" srcset=\"https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03-1024x771.png 1024w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03-300x226.png 300w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03-768x578.png 768w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03-16x12.png 16w, https:\/\/kilok.art\/wp-content\/uploads\/2026\/02\/mw03.png 1072w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;The Berlinale has always positioned itself as politically engaged\u2014so we sincerely hope that, unlike many other cultural platforms, the festival and its participants will clearly articulate their support for Iranian protesters. Who knows? It is quite possible that next year we will already see cinematic reflections on the current Iranian revolution\u2014and we sincerely hope they will be created by artists of a renewed, free, democratic state.<\/p>","protected":false},"excerpt":{"rendered":"<p>As a sign of solidarity with the rebelling people of Iran, we are publishing information about the Iranian presence in the Berlinale program.<\/p>","protected":false},"author":3,"featured_media":6307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[189],"tags":[289,350,175],"post_folder":[],"class_list":["post-6304","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","tag-Berlinale","tag-iran","tag-festyvalne-kino"],"_links":{"self":[{"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/posts\/6304","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/comments?post=6304"}],"version-history":[{"count":2,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/posts\/6304\/revisions"}],"predecessor-version":[{"id":6317,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/posts\/6304\/revisions\/6317"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/media\/6307"}],"wp:attachment":[{"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/media?parent=6304"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/categories?post=6304"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/tags?post=6304"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/kilok.art\/en\/wp-json\/wp\/v2\/post_folder?post=6304"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}